The preservation of cultural heritage through the medium of fine art serves as a vital conduit for the Global Sri Lankan community to reconnect with the historical and spiritual essence of their homeland. Amongst the most distinguished figures in the annals of Sri Lankan art history stands Mudaliyar Abraham Christopher Gregory Sooriyaarachchi Amarasekara, popularly known as A.C.G.S. Amarasekara. A visionary whose career spanned the transition from the colonial era to independence, Amarasekara’s work remains a testament to the meticulous craftsmanship and academic realism that defined the early 20th-century aesthetic in Ceylon. A recently highlighted artwork, a rare painting of the Esala Perahera created in 1933, offers a profound glimpse into the majesty of the Kandy festival as interpreted by a master of the form.
The Kandy Esala Perahera, an annual procession that pays homage to the Sacred Tooth Relic of the Buddha, is widely regarded as one of the most vibrant and significant cultural events in the world. For an artist of Amarasekara’s stature, capturing the rhythmic movement of the dancers, the stoic grandeur of the caparisoned elephants, and the ethereal glow of the torches required more than mere technical skill; it necessitated a deep-seated appreciation for the traditions that underpin the Sri Lankan identity. This specific 1933 rendering, originally produced for the Times of Ceylon, serves as a historical document, preserving the atmosphere of a bygone era for future generations.
The Formative Years of a Centenarian Master
Born on 2 March 1883 in Dodanduwa, A.C.G.S. Amarasekara was destined for a life of intellectual and artistic pursuits. His early education was conducted at the Prince of Wales College, Moratuwa, and later at the prestigious St. Thomas’ College, where his innate talent for visual storytelling began to flourish. It was during these formative years that the foundations of his academic style were laid, characterised by a commitment to naturalism and a profound attention to detail that would eventually distinguish him as the premier portraitist of his time.
Amarasekara’s professional journey was not limited to the canvas alone; he was an instrumental figure in the educational landscape of Colombo. He shared his expertise as an art teacher at St. Joseph’s College and the Ladies’ College, Colombo, where he influenced a generation of aspiring artists. His dedication to the formalisation of art education led to his appointment as the Head of the Art Department at the Colombo Technical College, a role that allowed him to shape the curriculum and standards of artistic excellence in the country.
A Career Defined by Excellence and Recognition
The year 1903 marked a significant milestone in Amarasekara’s career when he submitted a painting titled The Kitten to the annual exhibition of the Ceylon Society of Arts. The work was awarded first prize, catapulting the young artist into the national spotlight and initiating a career that would involve numerous exhibitions both locally and internationally. His style, which favoured the precision of the European academic tradition, resonated with the elite and the intelligentsia of the era, leading to a prolific output of portraits that now adorn the walls of national institutions.
Throughout his illustrious career, Amarasekara received several high honours that reflected his social and artistic standing. In 1940, he was decorated with the Order of the British Empire (OBE) by King George VI, and in 1952, he was conferred the title of Gate Mudaliyar, a senior colonial honorary title that underscored his role as a prominent figure in Ceylonese society. His leadership within the artistic community was further cemented when he served as the President of the Ceylon Society of Arts in 1959, a position he held with distinction.
The 1933 Esala Perahera: A Historical Masterpiece
The painting of the Esala Perahera created in 1933 represents a pinnacle of Amarasekara’s ability to weave together cultural narrative and technical brilliance. Commissioned during a period when the Times of Ceylon was a primary source of news and culture for the expatriate and local communities, the artwork was intended to convey the scale and solemnity of the Kandy procession to a wide audience. The 1930s were a time of significant cultural awakening in Sri Lanka, and such artworks played a crucial role in fostering a sense of national pride.
In this rare piece, the artist’s use of light and shadow is particularly noteworthy. The nocturnal setting of the Perahera is rendered with a sophistication that captures the flickering warmth of the traditional torches, known as chula, against the dark, rhythmic silhouettes of the procession. Every detail, from the intricate patterns on the elephant’s ceremonial silks to the silver ornaments worn by the Kandyan dancers, is depicted with the photographic naturalism that was the hallmark of the Mudaliyar’s style. It is this commitment to realism that makes the painting an invaluable resource for historians and cultural enthusiasts alike.
Preserving the Legacy of “The Gay Deceiver”
While his contributions to the world of fine art are paramount, A.C.G.S. Amarasekara was a man of diverse talents. He was a renowned amateur magician, performing under the stage name “The Gay Deceiver.” His stage acts, which included conjuring and ventriloquism, brought joy to many and highlighted his multifaceted personality. He founded the Ceylon Association of Magicians, which later became the Sri Lanka Magic Circle, serving as its Founder President until his passing at the age of 100 in 1983.
The longevity of his life and career allowed him to witness a century of transformation in Sri Lanka. From the height of colonial rule to the challenges and triumphs of a newly independent nation, Amarasekara remained a steadfast advocate for the academic traditions of art. Although he occasionally clashed with the modernist movements of the mid-20th century, his influence on the development of Sri Lankan portraiture and technical art education is undeniable.
eLanka: Connecting the Global Sri Lankan Community with Heritage
At eLanka, our mission is to celebrate and share the positive stories that define our vibrant community across the globe. The legacy of artists like Mudaliyar Amarasekara is a cornerstone of our collective heritage, providing a sense of continuity and pride for Sri Lankans living in Australia, New Zealand, Canada, and beyond. We encourage our members to explore our Photo Gallery to witness contemporary celebrations of our culture and to participate in our Upcoming Events that continue these ancient traditions.
Furthermore, eLanka provides a comprehensive platform for the community to thrive in various aspects of life. Whether you are looking for a trusted service through our Business Directory, seeking a partner through eLanka Weddings, or interested in real estate opportunities via eLanka Property, our portal serves as your primary digital hub.
Conclusion
The rare 1933 painting of the Esala Perahera by A.C.G.S. Amarasekara is more than just a piece of art; it is a bridge between the past and the present. It reminds us of the enduring nature of our cultural expressions and the importance of those individuals who dedicated their lives to documenting them with such reverence and skill. As we share these “good news stories,” we honor the centenarian master whose brushstrokes captured the heart of a nation.
For those who wish to contribute their own stories or historical findings to our platform, we welcome your input. Please email us at info@eLanka.com.au with any articles or photographs that celebrate the achievements and heritage of Sri Lankans abroad. Together, we can ensure that the legacy of our community remains vibrant and accessible to all.
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